Ordinary Devotion
Kristen Holt-Browning
Braided medieval and modern stories of an anchoress, her handmaiden, and the adjunct professor searching for them across centuries as they each navigate ambition, confinement, and the patriarchy.
Twelve-year-old Elinor is enclosed with an anchoress, Lady Adela, in a cell at Wenlock Abbey, 14th century England. Centuries later, an adjunct professor of medieval studies discovers Elinor’s long-lost book of hours on a research trip to England. Holt-Browning explores women’s timeless struggle for personal agency as her unforgettable characters discover the burdens and rewards of faith and devotion. A must-read for fans of Julian of Norwich.
“The modern and medieval stories spiral in and out of each other, intricate and vivid as the letters of illuminated manuscripts, connected by the mysteries of paradox: confinement and freedom, loss and fulfillment.” —Elizabeth Cunningham, My Life as a Prayer and The Maeve Chronicles
“Holt-Browning is adept at honing in on the passion for life, nature, and language that can sustain a person through the hardest times.” —Nerissa Nields, Plastic Angel and All Together Singing in the Kitchen
The Poorly Made
Sam Rebelein
An unsettling and creepy story collection of literary horror set in the Renfield universe from "major new talent" (R.L. Stine) Sam Rebelein, author of Edenville.
"I hope I get to go back to Renfield County again, before too long." --LitHub on Edenville
There's something wrong in Renfield County.
It's in the water, the soil, the wood. But worst of all, it's in the minds of the residents, slowly driving them mad. When Lawrence Renfield massacred his family and drew The Giant in his farmhouse with their blood, no one imagined the repercussions. At the very least, the bloodstained wood should have been set aflame, not chopped down and repurposed as furniture, décor, and heirlooms across the county. But that's exactly what happened. Now regular people--like you and me--are sitting on... eating with... admiring... the cursed wood and reaping the consequences.
These are their stories.
In "My Name Is Ellie" a young girl uncovers disturbing secrets hiding in the walls of her beloved grandmother's home. An unassuming box, built with reclaimed wood, connects a grieving widower with his late wife's lingering spirit in "Hector Brim." In "Detour" a father, desperate to return home, finds himself trapped in a dizzying maze, haunted by stories of lurking monsters that live off the remains of weary travelers.
Playing with the uncanny to explore themes of loneliness and grief, Sam Rebelein returns upstate to unravel the mysteries of Renfield. But regardless of what started the trouble, there's one thing of which we can be certain: for those living here, the nightmare is far from over.
A Gorgeous Excitement
Cynthia Weiner
A dazzling debut novel set in 1980s New York, when cocaine is as easy to get as ice cream, about one young woman's summer of infinite possibility--and looming danger.
It was the summer of 1986, when the girl was found dead in Central Park behind the Metropolitan Museum--half-naked, legs splayed, arms flung over her head. Larynx crushed.
There are two things Nina Jacobs is determined to do over the summer of 1986: avoid her mother's depression-fueled rages, and lose her virginity before she starts college in the fall. Both are seemingly impossible--when her mother isn't lying in bed for days, she's lashing out at Nina over any perceived slight. And after a blowjob gone spectacularly wrong, Nina is the talk of Flanagan's, the Upper East Side bar where young Manhattan society congregates. It doesn't help that she's Jewish, an outsider among the blue-eyed blondes who populate this rarified world. She can fit in, kind of, with enough alcohol and prescription drugs stolen from her parents' medicine cabinet.
Flanagan's is where she pines for the handsome, preppy, and charismatic Gardner Reed, whom every girl wants to sleep with and every guy wants to be. After she's introduced to cocaine, Nina plunges headlong into her pursuit of Gardner, oblivious to the warning signs. When a new medication seemingly frees her mother from darkness, and Nina and Gardner grow closer, it seems like Nina might finally get what she wants. But at what cost?
Sigmund Freud called a cocaine high "a gorgeous excitement" and, as Nina Jacobs is about to learn, New York City is a deadly place to be gorgeous.